Eulogy for a Master
A parody of one of my favorite poems, G. K. Chesterton's "The Great Minimum."
Syndicated to Twitter.
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A parody of one of my favorite poems, G. K. Chesterton's "The Great Minimum."
Syndicated to Twitter.
This is an Elon-Musk-themed parody of John Gillespie Magee, Jr.'s "High Flight".
Oh! I have spurned the surly SEC, And pierced the skies with rocket booster flames; Sunward I've turned, to harvest energy; Nutted to Mars -- and played a hundred games You have not dreamed of -- founded, bought, and sold; Ran Paypal, blasted Dogecoin to the moon, Built companies from visions into gold, And granted seven children silver spoons. Up, up the endless void of frozen black My dankest starship speeds with burning grace. I've seen the future, and I won't look back: They'll say I left my mark upon the times. For I have sent my Roadster into space -- Put out my hand, and touched the face of Grimes.
This is a loose parody of the Prelude to The Canterbury Tales, dedicated to, and inspired by, none other than my good friend Ryan Wright (read his interview with The Drongo, or play Ryan Quest.)
There came a schollar from Viking country, Well verst in ludonarrativity. When that Aprill with his shoures thick Hied off, he watched ye childe play hoop and stick To ponder changing stick for lethern balle, And wryte upon the meninge of it alle. Of anti-gamer scorn, no hede took he, Aware that men live in society, While those of lerninge to him wolde adjure For hy discourse on English literature. Full gladly teched he on such things culturall, And left each lecture-hall with maydens plurall. Exotic assets allways filled his pipe: He was a verry parfit gaming type.
In reply to
An email to Aaron Strick, intended only to pay a compliment and secure a Sith holocron, so touched him that to receive it. This is why I spend so much time on the Web; why I employ technology to run social projects like The Drongo and the SLC; why most weeks I take on hosting duties for Homebrew Website Club Americas.
Aaron, you're a drongo and a half, and a magnificent mellow, too. I laid down these stanzas in your name, for your pleasure.
This is the fourth, final, and longest of my semi-found poems inspired by choice phrases from The King of Elfland's Daughter.
The third in my series of semi-found poems derived from The King of Elfland's Daughter, by Lord Dunsany.
Forth from the unicorn issued a groaning, A sound low and awful, as never is heard in the fields that we know. Then there was naught but the wonderful carcass, The deep growls and roaring of hounds as they wallowed in fabulous blood. Curséd be unicorns, all of their ways, And everything else in the world that be magic. Curst be their horn and the place where they dwell And the lilies they feed on. Curst be their speed, And their hide in white sleekness, their beauty -- And all things enchanted that wander by magical streams.
The Elf King, chaunting rhythmic, unknown words, An age-old incantation, ordered Elfland To drift away from Earth, the mortal realm. As in a moment no one can determine When sunset layers turn from gold to pink, From glowing pink to listless unlit colors, All Elfland left the edges of the fields Which all men know, and hied where men know not. Motionless fronds of dream-gripped trees lay calm. Petals of myriad roses stilled their trembling. Sharing the King's content, Elfland reposed.
Thus continues my series of semi-found poetry inspired by attention-arresting phrases from The King of Elfland's Daughter. "The Retreat of Elfland" is less of a found poem than "Almost Elfland," for I've taken a bit more liberty in rearranging the phrases, and even inserted a few words. Still, though, any beauty you find in this should be considered Lord Dunsany's doing, not mine.
So strong enchantment lay o'er all that land, It seemed there was an understanding there That reached from men to trees, from trees to men. More beautiful than aught our wonder guesses, More than our hearts have hoped, the dewdrop lights Hint of the seaweeds draping cliffside rocks. Eternal beauty dreams in honied air Where nothing ever stirs or fades or dies, Nor seeks its happiness in changing things.
This is almost a found poem. The stanzas are adapted, with only miniscule changes, from lines on pages 15, 20, and 40 of The King of Elfland's Daughter.
This morning message is work in progress, for sure. It means something, but doesn't mean it as fully as it might.
I'm posting it to keep encouraging myself to post snippets and snoopets.
For breakfast, man made sausage, so I sausage, And squint askew as Ra holds high his disk. With no time for poetic inspiration, He casts aside the slinking clouds of mist. The seagulls, noisy poopers, have come inland. With stupid orange mouths agape, they wheel, Ungainly flap, and float, til they spy refuse, Then land to fight amongst themselves and squeal. On high, in blue, airliners cut a contrast, Speed straight where birds must fart around like clods. Do seagulls ever wonder what a plane is? Do they believe in jets, as we do gods?
Does this exist?
Type in words. For each line you type, this program will do its best to categorize the line by its pattern of stressed and unstressed syllables. It does this by retrieving the stress pattern or patterns for each word from an ordinary dictionary (maybe several dictionaries), and comparing all possible paths through the line to determine, for words with multiple possible stress patterns, which is most likely to be right. Or, which would lead to what patterns. [Aside: run spell checker before doing analysis.]
Oh, typing is getting me nowhere. Examles of desired behavior will do better.
This is just for giggles and shiggles: a little Halloween spirit, China-style.
巧克力兮,花生酱 混合二味,皆更香 小圆形兮,超方便 咬后食尽,屑不见
Translation:
Chocolate -- oh, peanut butter Combine the two and both taste better Small round shape -- oh, super handy No crumbs left from one-bite candy
After reading "A Gift from "Endlessly Stupid" to a New Hermit", Chris Stasse responded with a poem of his own, "Hermit Replies to Stupid" 《傻隐回复》.
鸟啼更静躺山夜
生人不约往孤野
车冷人寂思萦纡
离家一日似十月
Rough translation, 2020-11-21:
At night I lie in the mountains. It's quieter when birds sing
Strangers aren't likely to approach this lonely wilderness
My car is cold. I'm lonely. My thoughts twist around
One day away from home is like ten months
Naturally, I wanted to reply in kind. My goal was to show I had grokked Chris's poem by restating its sentiments in different words.
In addition, I challenged myself to work within the constraints of a line-internal rhyme scheme: the 2nd, 4th, and 7th (final) syllables of each line all share an ending sound.
A certain Mr. Stasse (featured several times on this website) has temporarily withdrawn from society to live at a Buddhist retreat.
Original Title: 《老傻赐新隐士》
2020-10-13: On reflection, I dislike the third line and will probably change it. It's a leftover from the first draft, and out of place.
秋风摇树果不应 愿隐士身旁同赏 人生弯曲预无因 他稳似果拟之值
Rough translation (updated 2020-10-13):
Autumn wind shakes the trees, but the fruits don't go along I wish the hermit was here to appreciate it, too Life's twists and turns aren't worth guessing at He is steady, like the fruits, and that's worth imitating
Chris sent me a letter, and I sent one back. Why not preserve them -- pickle the words in blogger's brine?
In September, Chris Stasse sent me a letter which concluded with his calligraphic rendering of "Countryside Pleasures No. 6" 《田园乐——六》, by Tang-era master poet Wang Wei. My reply to Chris included a parody of the same poem.
My version's title swaps out the third character, 乐 le4 "pleasure, happiness", for the rhyming word 恶 e4 "evil, vicious, harmful." Here is "Countryside Nastiness," by Wang Wei's little-renowned cousin, Wrong Wei.
桃红中坏烈焰 柳绿烧成灰柱 花落腾于热气 鸟啼出窝恐离
Translation:
Red peaches suffer from fierce flames Green willows burn up into pillars of ash Flowers fall, then rise on heated gusts Birds cry, leaving their nests in fear
As I write up explanations and annotations for my poems, I find myself wanting to use lines and shapes to pick out particular areas of each work.
Here's a rudimentary prototype, drawing heavily on the LeaderLine library. Try clicking or hovering one of the bracketed sections.
I'm a fake poem, sure to spin A top around its bottom
I am a fine explanation! And I am his lovable pal.
I'm not currently planning to turn my annotations into sidenotes or marginalia, but I'll certainly draw inspiration from the numerous attempts at that style of web design. I'll also be investigating annotation platforms like Hypothesis, which may have something to offer.
A late-night snippet imitating the chorus of Weezer's "Pork and Beans." For Hayley ("Bloo") to sing to Seth.
I've a PhD that I must pursue There's neuroscience knowledge to accrue With calves athletic and a belly lean At times my swagger's known to cause a scene Although I'm picky 'bout my repertoire I'll practice strumming tunes that you adore One look in our mirror and you know it's true: I'm awful fond of being Bloo with you
(Hayley: AWWWWWWWWWWWWWW. I’m not sure what the tune is (hint pls!!!) but I’m smiling ear to ear anyway <3
Me: It's 'Pork and Beans.'
Hayley: OH FUCK YEAH
)
This is a parody of "In the Aeroplane Over the Sea", the best-known song by 90s group Neutral Milk Hotel (NMH), feted for their otherworldly sound and surreal lyrics. I apologize to Jeff Mangum, Scott Spillane, Jeremy Barnes, and Julian Koster for perpetrating the following verses.

As always, I encourage you to sing along. A glossary follows.
This was commissioned by the Fruit Art Project, a group which develops creative projects that incorporate the history and geography of fruit cultivation. When I learned that wild bananas were originally tiny brown nothings, and that the wealth of modern cultivars are the result of intensive human breeding, I imagined what that breeding process would have looked like if it had taken place all at once, under the control of a 21st-century organization.
I no longer live in Portland, but I know many people there. This was written to bolster the spirits of three good friends who informed me they'd be participating in the ongoing courthouse protests.